Maeve Marsden’s Edinburgh Fringe Bucket List

Over the coming weeks, we’ll be publishing bucket lists by members of the Lady team. If, like Linda, you don’t know what a bucket list is Here is mine:

  1. Kiss a girl with a Scottish accent. Or a boy. It is amazing the effect cute accents have on my normal sexuality.
  2. Get one (or more) 5 star reviews. Our first reviewer is in the house on Saturday, so fingers crossed!
  3. Be able to scale the flights of stairs to our apartment without having a heart attack. Also, climb Arthur’s Seat. Might have to conquer the staircase first…
  4. See Hannah Gadsby’s show, Hannah Wants a Wife. Become said wife. We had a beautiful, intimate moment at the Adelaide Fringe in 2011 when she spotted me in the crowd, invited me onto the stage and improvised a hilarious schtick about how ugly and terrifying my concentrating face is. I think our romance is off to an excellent start. On a similar theme, I’d like a private serenade of DeAnne Smith’s Nerdy Love Song. Wearing no pants…
  5. Make the most of the Fringe Central producing and touring events. Introduce Phoebe to as many people as possible as my BusinessWife while maintaining a straight face. Get another Lady to take sneaky photos of their reactions.
  6. Take Dr Joe to Confessions of a Grindr Addict and take bets on how many audience members will be on Grindr during the show.
  7. Eat vegetarian haggis. I also intend to eat a veritable ton of Indian food. Mmm Indian food in the UK is the best. Well, I imagine Indian food in India is better, but beggars can’t be choosers. Finally, I hope to sample all of the toppings available at the vegetarian eatery, The Baked Potato Shop on Cockburn Street. Hehe…Cockburn…
  8. Challenge Kiera Daley of LadyNerd to a tetris-off. I am a tetris machine. I spent at least 3 hours of our flight smashing tetris records. Korean Airlines seat 47G didn’t know what hit it, for realz.
  9. Perform on the Spiegeltent stage…tick! Lady Sings it Better performing at the Edinburgh Festivals Magazine launch 15 minutes after our opening night. We will be walking off the stage and then setting off at a trot for the Assembly Gardens to perform. Eep!
  10. Buy a kilt so I fit in with the locals…and half the Lady Sings it Better team.Lady Sings it Better in kilts

What a week! Part 3: Women Say Something

Women and talking. Talking and women. That’s two of my favourite things right there, so really, it’s unsurprising that I enjoy attending Women Say Something. But even if you aren’t a chatty lesbian, there’s no doubt the WSS crew have put together a popular and well crafted event. I’ve already ‘reviewed’ the event here, so I won’t jump into that straight away. Besides, it would be remiss of me to talk about the latest iteration of WSS without acknowledging the amusing rigmarole that led to my front row seat.

You see, some time ago I started following Clementine Ford on twitter. Mainly because she said my friend Amy was hot on tv and I was amused. But also because she engages in one of my top five favourite past times: being funny and clever on the internet. Witty banter ensued and, to cut a long story short, though we’d never met, we decided to get married… a choice made based on a shared love of tv, feminism, fatty food and cuddles, I believe. All was an amusing late night joke until she was selected to participate in the latest Women Say Something panel. It was at this point I commenced a sustained and ultimately successful campaign to go as her blind-date to the event. Before I knew it, I’d agreed to sing at the thing as well and I was hard at work medley-ing Dolly Parton with feminist power ballads.

I tell you this not because I think it wildly pertinent to your day, but because I think the incident a lovely example of the wonders of social media and sassy, forthright, bold women – my favourite kind of women. Why wouldn’t Clementine take this deranged, stalky lesbian as her plus one? Why indeed.

The panels themselves centred on fairly broad concepts: hope and power. I still wish these events drilled down deeper into a particular issue, but hell, it’s not my event and you can’t argue with WSS’ selling power. That said, panelists spoke really well. A highlight in the first was definitely ACON‘s Annaliese Constable’s reading of hope as desire, examining women’s sexual health through modes of desire, rather than deficit. Her vision for a world where women’s sexuality is autonomous and powerful, driven by pleasure rather than reproduction is one I can get on board with. I was also impressed by how quickly and frequently she can say ‘lesbian and same-sex attracted women’. Love PC language. Love it!

Normally distressed by the police (it’s like they KNOW I drive too fast), I was pleasingly engaged by Chief Supt Donna Adney, NSW Police’s Corporate Spokesperson for GLBTI issues. It was refreshing to see a straight, seemingly conservative woman speak so eloquently and passionately about community engagement, despite the PR face popping up a few times. The room was also clearly enamoured by out lesbian Minister, Nicole Flemming. And while she is clearly a wonderful woman doing good work for her congregation and for the representation of women in the church, I still find it baffling that people believe in God at all.

Unsurprisingly, Clementine was not only a hot date (love a girl who says “let’s just buy a bottle”), she was also one of the best speakers of the night. Her insistence that we stop silencing young feminists speaks more broadly to the misconception that my generation is full of apathetic slobs. Please understand that we’re activists too; we’re just doing it differently. She also backed up what she had to say with statistics (*fainting*) and a whole lot of articulate goodness.

The sticking points and/or shared visions and ideas of Clementine, Annaliese, Eva Cox, Gretel Killeen and Emily Miller really deserved more air time. There were repeated assertions that equality doesn’t have to mean claiming power within patriarchal structures, but rather changing those structures; that women often ‘do’ development and change differently to men, references to women’s ‘strength’ as nurturers or the more emotionally capable of the sexes, and some wonderful questioning of equality with men as an end game to feminism vs. changing the world’s very structures – one of the best quotes of the night was Eva’s “we need to remember we live in a society, not an economy”.

I often hit a block when I try to talk about gender equality / feminism as there are certain clashing ideas that I still can’t quite find a way to examine and articulate, phrases I can’t squish together to form an argument. Sort of like… ‘Gender is a construct, a spectrum, a mish mash of masculinity and femininity. But as a lesbian i definitely see women as essentially different to men. We need equality, but we don’t need to be the ‘same’ as men – but women should be able to be as masculine as they want and men as feminine as they want, right? Anyone should be able to do / be anything. But we’re also saying that if we dismantle the patriarchy the world will look different…because women are different…sometimes…’

…I tend not to like admitting when I am lost for words or conclusions, but there you have it. Conclusions aren’t everything and it was great to get my brain going listening to all these clever women. I left wanting more, which means I’ll definitely be back for the next event in November!

While I have my gripes (I’d like less panelists, but more talking from each; someone needs to have a word with the the chef about quality vegetarian food; less talk about same sex marriage please), I really do think WSS is one of Sydney’s great events and I was honoured to be involved. There was even a crazy questioner, dubbed ‘Shouty McShouty’ who covered ALL the bases of stereotypical-panel-disrupter: drunk ‘n ranty before we’d even begun, somewhat racist, pointed accusingly at a panelists, referred to politics as ‘crap’. Her insistence that “it’s called women SAY somethin’ and I’m SAYING SOMETHING” really did make my night. Perhaps the event needs to be renamed “Women Who Are Chosen To Be On The Panel Say Something” – though that would make for a ridiculously long hashtag.

The WSS team also launched Women Do Something at the event, which I think sounds like an excellent initiative. That should kill any criticisms that panel discussions are “all talk”. It’s great to see feminists of mixed ages and backgrounds coming together to create a project like this. Especially when they ask me to sing!

NB: You should also check out the F Collective, who blog and organise regularly on key feminist issues.

Other highlights because I’ve run out of space:

  • Listening to the beautiful work of Sally Whitwell
  • Meeting and chatting with the charming Kate Monroe
  • Performing one last time with the gorgeous Brett Every before he jets off to New York
  • The phrase “Women get wet! I’ve seen it” stated on stage, followed by a happy high five between Kate and Annaliese.

What a week! Part 2: Maxine Kauter Band and Gen Chadwick at The Vanguard

Months ago, when we heard Maxine Kauter Band were performing at The Vanguard with Gen Chadwick, Phoebe and I got pretty damn excited and booked in a business-wife-date for the night. Then, I did what I’ve done to all my wives (business or otherwise) and invited everyone else I know.

And so it was, I booked a table for 17, frocked up, put on mah pearls and trotted across the road to The Vanguard last Wednesday night.

First up was Genevieve Chadwick, who served up some of the best guitar-playing I’ve seen in a while. Meanwhile, The Vanguard served up one of the stranger vegetarian dishes I’ve eaten (vege patties on top of sweet potato risotto – strange, but oddly tasty). Gen’s high energy performances are always strong, her stomp box adding extra oomph to the singer-with-guitar combo. She was a hit with the crowd!

After Phoebe and I indulged in a dessert tasting plate (tasting plates are HEAVEN for the chronically indecisive), MKB hit the stage.

One of the lovely things about paying any attention at all to one’s local music scene is the opportunity to watch a musician you like grow and improve. This is especially nice when that musician becomes a friend. I first saw Maxine Kauter play when the lovely Kate Duffy and I supported her at The Roxbury in 2008. She was good then, but in the past four years, her sound and songwriting skill have really developed.

Seriously, this band is so damn good. All the musicians have their moments to shine and while MK leads the B, they are so tight and together, well-rehearsed and in sync that it’s clearly not a case of singer-songwriter-backed-by-some-musos. This is a four-piece act and a classy one at that.

Now, I’m no seasoned music reviewer and I am far too dorky to have enough of a handle on the indie music ‘scene’ to make clever allusions and references to other bands MKB might be like. I just know what I enjoy putting in my ears.

Maxine’s songs manage to be really clever, without feeling like she is beating you about the head with her intellect; they are often sad and wallowy, but they never stray into angsty-high-school-lesbian-rant; and several of them are damn hot, but you never get that awkward sense she is trying to be sexy. The lyrics are well-crafted, successfully avoiding cliche. Despite much of the material focusing on the singer’s internal world, you never feel like songwriting is a vanity exercise for her: she genuinely cares about the story she is leading you through.

The vocals often waiver around intonation, taking a fraction longer than you’d expect to land bang on a note, and packing in a whole lotta vibrato, lending a dreamy and slightly disconcerting quality that holds your focus and stops the music from becoming ‘easy-listening’. The vocals and Pete Holz’s electric guitar slip and slide around each other beautifully, contrasting with the sure rhythms of Shannon Haritos on bass and Stephen Beverley on drums.

Maxine stands really damn still when she sings. Like, she hardly moves at all. I find it baffling that this is even humanly possible, but there it is. She made a smart move though, and balanced her style with that of drummer, Stephen (possibly the cutest man in the world). His boundless enthusiasm for performing is completely charming and I love the interplay of Max’s voice and his energetic, almost intrusive (but never actually intrusive) drumming. One stand out moment, when he paused drumming to loosen his tie, made me question my sexuality…

On that note, I know I should be praising skill, not good looks, but seriously, can this band stop being so attractive please?

photo by Fiona Riches Stace

I’ll stop praising them now for fearing of boring you or making them uncomfortable. But thanks for a fabulous night, Gen & MKB.

In conclusion, they will be performing at Lady Sings it Better’s farewell gig on July 19 & 20 so you should really come… Book here. See what I did there?

If you need more convincing, here’s one of their new numbers…

So busy we forgot to blog… On the road to Edinburgh #2

Wow, what a big 6 weeks we have ahead of us! Not long now before we set off. The Ladies behind the scenes (Phoebe and our amazing production assistants, Karly and Erin) have been busy booking accommodation, paying all our bills, booking epic bus trips (trains are for schmucks! schmucks who can afford them…), hiring microphones, weighing boxes of CDs to work out excess baggage, purchasing a drum kit (hoping we can sell it afterwards!), and debating the merits of various badge sizes so the Edinburgh streets can be filled with people proudly sporting Lady Sings it Better badges on their happy little chests! It’s a glamourous life we lead…

We’ve got some really exciting gigs coming up. First up, we can’t wait to sing with the Sydney Gay and Lesbian Choir on June 30 at their SGLC Pops Out! concert. Apart from the obvious draw card, namely Sydney’s 21 yr old stalwart of the GLBTQI community, the choir itself, here are a few more reasons to come:

  • Maeve’s mum, Louise, is in the choir. Two Marsdens: one stage. Bring it!
  • For those of you who have been listening to our rendition of You Shook Me All Night Long for the past 3 years, you must come see our seriously pimped version, completely with choral chorus amazingness.
  • We get to sing a song by a woman! It’s a song from the choir’s repertoire and, let’s just say, it’s fabulous *cough* Whitney *cough cough*
  • It’s Jenni and Monique’s Lady debut! Fabulous!

Book tickets to SGLC Pops Out! here.

In mid-July, we’re road trippin’ to Mittagong to sing at a conference. You can’t come as it’s a private party, but we just love that we’re considered appropriate for government conferences. The public sector is all grown up and sexy now!

Finally, if you’ve even glanced at our facebook page in recent weeks, you know our exciting farewell gig sold out its Friday 20th July show in a mere 5 days. We were so excited we scheduled a Thursday gig as well; it’s about 40% sold, but you can still book tickets here, on the Factory website.

Last but not least, we ain’t to proud to beg! We could really do with a little cash injection as the end of financial year approaches… As we’ve mentioned before we are currently eligible for TAX DEDUCTIBLE donations. A small (or not-so-small) donation via ABaF’s Australian Cultural Fund will make a huge difference to our fundraising and help send us on our way. You can read more about the process here, or simply head to our ABaF profile and donate!

Thank you SO MUCH to those who have donated so far. We can’t tell you how much we appreciate the support we get from our friends and fans.

So that’s the latest from blackcat HQ… What’s been happening with you?

xxx

Lady Sings it Better now eligible for tax deductible donations

We’re thrilled to announce that Lady Sings it Better (our feisty, playful, feminist cabaret) is now an Artist Project for the Australian Cultural Fund, of the Australian Business Arts Foundation. And we couldn’t have done it without you! To be eligible, you need to have raised 50% of project funds and it’s thanks to your indiegogo donations, raffle tickets buys and show ticket sales that we were able to apply.

What this means is that you (or any rich, philanthropic sorts you might know) can donate to ABaF, preferencing Lady Sings it Better, and your donation is tax deductible!

What are we fundraising for?
In case you missed the 5,732 memos, Lady Sings it Better are Edinburgh Fringe bound!  We will perform a 4 week season at Gilded Balloon, no doubt a career changing experience for us all. We are beyond excited about this opportunity, as we’ve been working towards this moment for the last three years!

Our tour’s budget is $50,000 and we have already raised 50% of funds through performances, crowdfunding, sponsorship, a Sydney Gay Lesbian Business Association grant and our own personal savings. We have fundraised enough to cover flights and accommodation for our 6 singers, 3 piece band, sound operator and commander in chief, Ms Phoebe Meredith.

But we still have another $25K to raise, for venue costs, Edinburgh Fringe registration, instrument and technical hires and, marketing expenses.

Lady Sings it Better intend to use the tour to establish important connections with UK and other international cabaret presenters, promoters and programmers. This networking is essential in developing the company into a resource for local women and queer cabaret artists and crew.

So what is the Australian Cultural Fund?
The fund was established to encourage people to donate to the arts and enable performers like us to benefit from this generosity. All donations are made to the Australia Business Arts Foundation (AbaF) which considers donor preferences when allocating grants.  In the past eight years more than $9 million has been donated to AbaF and granted in full to more than 705 artists and cultural organisations – it is a great program for groups like ours.

How to donate
Check out our profile on the ABaF site: abaf.org.au/donors/artist-projects/maeve-marsden.html

All donations will make a difference, no matter how big or small. We have provided some examples of how your support can assist:

  • $10 or $20 helps pay for our online advertising!
  • $50 pays for one month of facebook advertising – ensuring the UK audience hear about our shows!
  • $200 pays for a banner ad on the Edinburgh Fringe site, encouraging ticket sales
  • $500 pays our Fringe registration fee
  • $1,000 helps to pay for instrument hire, so that our talented band can show off their skills on the best equipment
  • $2,500 pays for a week of venue hire
  • $5,000 pays for all our printed marketing materials – flyers, posters and distribution
  • $10,000 pays our venue costs for the month!

You can donate:

You can contact the Australian Business Arts Foundation for more information or to send in your form:
Manager NSW: John Godfrey | Coordinator NSW: Melinda Holcombe
A: Level 1, 372 Elizabeth Street, Surry Hills NSW 2010
T: 02 9215 9313
F: 02 9215 9075
E: nsw@abaf.org.au

Thank you for considering supporting Lady Sings it Better, blackcat productions and Australian queer and women’s cabaret. If a financial contribution is not possible for you, you can still help by passing on this information to others, coming along to a gig, or following us at facebook.com/LadySingsitBetterFans or twitter.com/lady_sings_it.